Fine copy throughout in fine unclipped dust wrapper that has minimal storage markings.
John Clare, who lived most of his life in rural. Front cover image for The dark side of the landscape. Dr Barrell examines this interest, showing how the taste for landscape affected the poetry in detail. The eighteenth century saw a radical change in the depiction of country life in English painting. available in Trade Paperback on, also read synopsis and reviews. Hardback - published by Cambridge University. Barrell writes in a tradition that views landscape painting as an ideological tool that promotes a particular view of reality among those who see it. The Dark Side of the Landscape: The Rural Poor in English Painting 1730 1840 by Barrell, John and Barrell, J. and, in 1980, John Barrell published The Dark Side of the Landscape: The Rural. His terse and vigourous account has provided a landmark for social historians and literary critics, as well as historians of art. The dark side of the landscape : the rural poor in English painting, 1730-1840. The Dark Side Of The Landscape : The rural poor in English painting 1730-1840. Dimbleby projects an affable persona, but there is another side to him. Throughout the book, Barrell draws illuminating comparisons with the literature of rural life and with the work of other painters. His discussion focuses on the work of three painters: Thomas Gainsborough, George Morland and John Constable. John Barrell's influential 1980 study shows why the poor began to be of such interest to painters, and examines the ways in which they could be represented so as to be an acceptable part of the decor of the salons of the rich. The eighteenth-century saw a radical change in the depiction of country life in English painting: feeling less constrained by the conventions of classical or theatrical pastoral, landscape painters attempted to offer a portrayal of what life was really like, or was thought to be like, in England and this inevitably involved a distinct approach to the depiction of the rural poor.
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